All tagged Women in Photography
This episode of Focal Point features two exhibiting artists from LOVE: Still Not the Lesser (on view August 17 - December 23, 2023) in conversation with Asha Iman Veal, MoCP Associate Curator. Jorian Charlton (b. 1989 Canada) is an artist who focuses on her generation of peers within the Caribbean diaspora—authoring their canon of Black Canadian representation. Yuge Zhou 周雨歌 (b. 1985 China) applies her perspective of a Chinese diaspora immigration experience for the video series Love Letters (summer) and Love Letters (winter) 2021. Together, they discuss their respective inspirations and artistic practices, as well as works by Carrie Mae Weems and Dylan Vitone in the MoCP collection.
In this episode, MoCP Curator of Academic Programs and Collections, Kristin Taylor, is in conversation with artists Laia Abril and Elinor Carucci, who discuss their thoughts on candid depictions of the female body and their works in the MoCP exhibition, Reproductive: Health, Fertility, Agency. The artists also share their thoughts on works in the museum’s collection by Marina Abramović and Jess T. Dugan.
To help stop the spread of Covid-19, this episode was recorded over Zoom and not in the WCRX studios.
In this episode, Chicago-based photographer Kelli Connell is in conversation with her long-term model and muse, Kiba Jacobson, along with Museum of Contemporary Photography’s curator of academic programs and collections, Kristin Taylor. Connell and Jacobson discuss topics of portraiture, relationships, and the performance of gender and identity within Connell’s series, Double Life (2002-ongoing). Additionally, they discuss works in the MoCP’s collection by Peter Cochrane, Zackary Drucker, and Rhys Ernst.
In this episode, mixed media artist Joanne Leonard and photographer Melissa Pinney are in conversation with MoCP’s curator of academic programs and collections, Kristin Taylor. Leonard and Pinney discuss works in the MoCP’s permanent collection by Elinor Carucci and Ruth Thorne-Thomsen as well as their thoughts on photographing the lives of their daughters, feminism, and how they navigate depicting both personal and political subjects.
